best studio investment you’ll ever make

Since the very beginning – in 1946 – Cambo have been building studio stands. And many of those early stands are still being used. Often our stands are passed on from one generation to the next! Like the one shown in the photo below. It’s a Cambo AST from the 1950s. Apart from some  signs of wear and tear on the surface it’s still in good shape.


So it’s safe to say, that a Cambo stand will last a lifetime. And nowadays we can offer a wide range of studio stands, to suit every photographer’s needs. Heights range from 2.10m (7ft) to 3.60m (12ft). Our compact Mono and MBX stands speed up the workflow in many retail studios. The heavy duty UST and UBS support two medium or large format cameras with ease. Modern studio stands like UBS and MBX feature cross arms on ball-bearings which rotate independently of vertical adjustments. Amenities photographers in the fifties could only dream of.

Posted in Automotive, General, portrait, portraiture, Reprographic, Studio | Tagged , , , , ,

The ever expanding Actus family

Since the introduction of the first Actus in 2014 Cambo have added many new versions, accessories and improvements. Based on input by photographers, out of a constant strive for perfection and the necessity to keep it compatible with new camera systems entering the market, like i.e. mirrorless medium format. And every now and then we hear a “I can’t see the forest for the trees” when it comes to choosing the right Actus.


The Configurator on our homepage can be of great help. The animation below gives an overview of the Actus Family.


Camera used: Actus-GFX / Zeiss Contax Distagon 3.5/35

For more information please visit our website or meet one of our partners, they can be found here: Cambo Distributors

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Actus-G and a choice of camera mounts (bellows and lens removed for clarity)











Posted in General

Antonio Saba’s never ending quest for beauty

Chasing Beauty is the title of Antonio Saba’s latest coffee table book. And beauty is what his work is about.  Divided in three chapters – The Memory, The Journey, The Dreamlike – it shows a selection of Antonio’s most significant non-commercial work of the last few years. And as one idea often leads to another, Chasing Beauty was followed by a new project of conceptual photographs: Oneirism. It combines the best Dreamlike shots from Chasing Beauty with new work shot in Sardinia and Bangkok.

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The photographs of the Oneirism project are fascinating. We’d also like to encourage you to have a look at some behind-the-scenes footage. It gives a hint of the massive amount of work and painstaking eye for detail that was required to create such outstanding photographs. This is what Antonio says about his sources of inspiration: “Oneirism comes from a Latin world that means dreamlike; I have always been interested in surrealism, and most of my ideas come out right after I wake up. I also look for a cinematic flavour in my shots. So basically my dreams are told in a single frame from a movie. My inspiration comes from photographers like Gregory Crewdson, Annie Leibowitz and from painters like Magritte and Caravaggio (for the light).”

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The Oneirism photographs were first exhibited at the Photographer’s Gallery in River City Bangkok. Antonio met Linda Cheng, the Gallery’s General Manager, when working on a shoot for The Peninsula magazine in Bangkok. The Gallery now represents his work in Thailand. During the last couple of years Asian Culture became a source of inspiration to Antonio. He feels that Bangkok is developing into an interesting hub for art in Southeast Asia. The 25 Oneirism Pictures have been taken on location in Dubai, Bangkok, Costa Rica, Tokyo, Tuscany, Manila, Sardinia, New York, Paris, Beijing and Rome.


Being from Italian origin, Antonio Saba nowadays has his base in Dubai. About six years ago, his commercial work first led him there. Now he shoots approximately 40% of his work in the Emirates and the rest worldwide. For him Dubai is the perfect hub, well-connected with the rest of the world and establishing a business there was not only convenient but eventually inspiring and rewarding.



As so many photographers, Antonio has a background shooting film view cameras. In 2006 he shifted to DSLR. And felt something was missing. Not only the quality of the lenses and the larger format, but also the ability to control the perspective and plane of focus and – last but not least – the rituals working with a view camera require, which lead to an almost ‘Zen-like’ experience. Martin Wessel-Tolvig of Dubai based HotCold Studio introduced the Cambo WRS system to him. Now Antonio uses Nikon cameras for his lifestyle and handheld work and the Cambo WRS-5000 – with Rodenstock lenses and a Phase One back – for his fine-art photography. The WRS cameras combine essential view camera movements with portability. Paired with the best digital backs and finest lenses, the system enables you to achieve the best possible photographic quality. And at Cambo we’re pleased to know, that one of these cameras is in Antonio’s capable hands!

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To see more of Antonio’s work

All behind-the-scenes footage – except Time Travellers – was produced by

Posted in Architecture, General, Interiors, Wide RS | Tagged , , , , , , , , ,

Berlin After Dusk: A bike tour from literature to photography

Working as a self-employed publishing sales rep in the early 90’s, Detlef Bluhm visited many bookshops in the former GDR. On his travels, during those turbulent years after the fall of the Berlin Wall, he started to use his camera as a personal notebook by photographing the shop fronts of the visited bookshops. The photos ended up in his files and had been forgotten for many years. Now we can be glad that Detlef Bluhm made those pictures, showing us images of a society that has rapidly disappeared. Last summer it resulted in the exhibition »Leseland im Umbruch« in Schloss Reinberg’s Coach House. From April 15th until May 17th 2019 the photos will be exhibited in the Library of Potsdam, near Berlin.


As mentioned, Detlef Bluhm wasn’t a professional photographer in those days. By the time photography became more than a hobby to him, he already had made a career as an author and publisher. And in those roles he had been working on many books about Berlin. So it can’t come as a surprise, that his first photobook »Berlin im Glanz der Nacht«  (Berlin After Dusk) puts the spotlight on the German capital.



Literally. As all photos were made after dark. Night can add character to a place that wouldn’t even be noticed after daybreak. A couple of years ago Detlef Bluhm photographed the small village off Sandberg and shortly after that the mayor of nearby Gersfeld  commissioned him to document his town in the same manner. The idea came during a night walk, when barns and stables seemed to have an almost ominous presence, that couldn’t be felt at daytime. Those inconspicuous places, have their special attraction in the dark of night. After the Gersfeld series it only seemed obvious to Detlef Bluhm to dedicate a book to his hometown Berlin by applying the same approach. So he started to roam the city at night on his bicycle. Twenty months he worked on this book and exhibiton. The photos do not only show us the icons and well-known sites of Berlin in an unusual light or from a new perspective, some also give us access to places that usually are out of bounds at night.


For »Berlin im Glanz der Nacht« Detlef Bluhm used a Fuji GFX. He’s very happy with the camera, but gradually it became clear to him, that some scenes and perspectives couldn’t be shot in the way he intended to. Enter the Cambo Actus. A view camera small enough to accompany him on his bike tours through the city and a welcome addition to his photographic abilities. He was pleasantly surprised to see how using the Actus gave him more technical possibilities and creative freedom. “In my new photographic project (the book will be published spring 2020) I’ll use the Cambo Actus-GFX even more frequently, as it will be all about architecture.”



Posted in ACTUS, Architecture, Cityscape, General, Landscape | Tagged , , , , , ,

Detlef Bluhm: Wie ein Literator sich der Fotografie widmete

Note: This blog post is in German. We’ll provide an English version shortly.

Anfang der 90er Jahre hat Detlef Bluhm in seiner damaligen Tätigkeit als selbständiger Verlagsvertreter die Buchhandlungen in den neuen Bundesländern besucht. Seine Kamera diente ihm dabei als fotografisches Skizzenbuch, indem er die Fassaden der von ihm besuchten Läden fotografierte. Die Fotos landeten in seinem Archiv und wurden jahrelang vergessen. Wir können uns jedoch freuen, dass Detlef Bluhm sie gemacht hat, da sie uns ein Bild einer längst verschollenen Gesellschaft  zeigen. Die Ausstellung »Leseland im Umbruch« wurde im Sommer dieses Jahres in der Remise des Schlosses Rheinsberg gezeigt und wird vom 15. April bis zum 17. Mai 2019 in der Potsdamer Stadt- und Landesbibliothek zu sehen sein.Leseland_Greifswald

Wie gesagt, war Detlef Bluhm damals nicht beruflich als Fotograf tätig. Als er sich wirklich der Fotografie widmete, hatte er sich bereits seine Lorbeeren als Autor und Verleger verdient. Und in diesen beiden Rollen war er für so manches Buch über Berlin zuständig. Keine Überraschung deshalb, dass er sich für seinen ersten Bildband nochmals seiner Heimatstadt zugewendet hat. Das Ergebnis ist »Berlin im Glanz der Nacht«.Berlin_Hufeisensiedlung_s.jpg


Der Buchtitel lässt schon erahnen, dass die Bilder dieses Buches alle nach Einbruch der Dunkelheit entstanden sind. Die Nacht verleiht der Stadt einen eigentümlichen Glanz, der erst mit der Morgendämmerung vergeht. Bereits einige Jahre zuvor fotografierte Detlef Bluhm das unscheinbare Dorf Sandberg in der Rhön und kurz darauf im Auftrag des Bürgermeisters die nahegelegene Stadt Gersfeld bei Nacht. Auf die Idee kam er, als ihm während eines nächtlichen Spazierganges durch das Dorf die fast unheimliche Präsenz der Scheunen und Bauernhöfe aufgefallen war. Detlef Bluhm konnte dabei feststellen, dass Orte und Objekte an den man tagsüber oft gedankenlos vorbei geht, nachts ihren besonderen Reiz haben. Danach lag es nahe, seine Heimatstadt Berlin auf diese Weise zu porträtieren. Und so hat er sich dann auch in der Metropole mit seinem Fahrrad auf den Weg gemacht. Er hat zwanzig Monate an dem Projekt gearbeitet. Das Ergebnis sind Bilder, die uns nicht nur die weltbekannten Ikonen der Stadt in einem ungewöhnlichen Licht oder aus einer neuen Perspektive zeigen, sondern auch Räume, die in der Nacht für die Öffentlichkeit unzugänglich sind.


»Berlin im Glanz der Nacht« hat Detlef Bluhm mit der Fuji GFX fotografiert. Allmählich wurde ihm klar, dass er mit dieser Kamera manche Motive oder Perspektive nicht so aufnehmen konnte, wie er sie abgebildet sehen wollte. Deswegen wurde im Laufe dieses Projekts seine Ausrüstung durch eine Cambo Actus-GFX ergänzt. Auf seinen Streifzügen mit dem Fahrrad ließ sich die kompakte und kleine Fachkamera problemlos mitnehmen. Die Leistungsfähigkeit der Actus und die Erweiterung seiner fotografischen Möglichkeiten haben ihn überrascht. »In meinem neuen Fotoprojekt (das Buch dazu erscheint dann im Frühjahr 2020) werde ich die Cambo Actus-GFX übrigens noch stärker einsetzen, denn da geht es allein um Architekturfotografie.«


Posted in ACTUS, Architecture, Cityscape, General, Landscape | Tagged , , , , ,

Technical Camera Movements

Technical Camera Movements

2018 is finally coming to an end and I just have one more blog to add before the snow arrives. I found this video from 1986 which shows a keen young photographers assistant venturing into using a large format camera system. This video is 32 years old!

Cambo Large Format

There is a lot to be said about the use of Scheimpflug, it won’t change, so what you will see in the video is the same technical movements when using a fully kitted Cambo Actus or Ultima.

Thanks Calumet (past and present) and to whoever saved and converted this VHS video to share via Youtube. Enjoy and Happy New Year!

For further advice about technical cameras and lens choice contact your local Cambo dealer or Cambo Fotografische  technical sales.

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How to choose your Cambo Actus with the Configurator

How to choose your Cambo Actus with the Configurator

As many of our subscribed readers are aware Cambo manufacture camera systems that are renowned to be modular designed in design, enabling your investment to be upgraded as new digital systems become available.

The Actus has opened up many doors to photographers. Not only is there options to change the digital capture device, whether a digital back, DSLR or DSLM (Digital Single Lens Mirrorless) but also to adapt a wider range of lenses.

To help you buy the correct components Cambo have a Configurator on the website. Here is the link

Simply select the Actus Mini Camera System (this will select the correct Cambo Actus version), select the Digital Camera body and the lens plate required.


If you select Fuji GFX, the camera is ACTUS-GFX. You will see a wide range of lens mounts and lenses from 24mm to 120mm from Cambo. The Medium format lens mounts will accept lenses that will create an image circle to cover the GFX and more importantly focus.

When selecting ACB-0 and ACB-1 you will need a lens that has an image circle to cover the sensor. Legacy lenses from Schneider and Rodenstock are quite common and many are available from your local Cambo stockist.

For further advice contact your local Cambo dealer or Cambo Fotografische  technical sales.

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